Renaissance theories of vision
| Основен автор: | Hendrix, John. |
|---|---|
| Автор-организации: | ebrary, Inc. |
| Други автори: | Carman, Charles H. |
| Формат: | Електронен |
| Език: | English |
| Публикувано: |
Surrey, U.K., England ; Burlington, Vt. :
Ashgate Pub. Ltd.,
2010.
|
| Серия: |
Visual culture in early modernity.
|
| Предмети: | |
| Онлайн достъп: |
An electronic book accessible through the World Wide Web; click to view |
Съдържание:
- Introduction / John S. Hendrix and Charles H. Carman
- Classical optics and the perspectivae traditions leading to the Renaissance / Nader El-Bizri
- Meanings of perspective in the Renaissance : tensions and resolution / Charles Carman
- Criminal vision in early modern Florence : Fra Angelico's altarpiece for "Il Tempio" and the Magdalenian gaze / Allie Terry
- Donatello's Chellini Madonna, light, and vision / Amy R. Bloch
- Perception as a function of desire in the Renaissance / John Hendrix
- Leonardo da Vinci's theory of vision and creativity : the Uffizi Annunciation / Liana De Girolami Cheney
- At the boundaries of sight : the Italian Renaissance cloud putto / Christian Kleinbub
- Gesture and perspective in Raphael's School of Athens / Nicholas Temple
- Seeing and the transfer of spirits in early modern art theory / Thijs Weststeijn
- "All in him selfe as in a glass he sees" : mirrors and vision in the Renaissance / Faye Tudor
- "Nearest the tangible earth" : Rembrandt, Samuel van Hoogstraten, George Berkeley, and the optics of touch / Alice Crawford Berghof.