Utopia, carnival, and commonwealth in Renaissance England /
With the emergence of utopia as a cultural genre in the sixteenth century, a dual understanding of alternative societies, as either political or literary, took shape. In Utopia, Carnival, and Commonwealth in Renaissance England, Christopher Kendrick argues that the chief cultural-discursive conditio...
| Основен автор: | Kendrick, Christopher, 1953- |
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| Формат: | Електронна книга |
| Език: | English |
| Публикувано: |
Toronto ; Buffalo :
University of Toronto Press,
℗♭2004.
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| Предмети: | |
| Онлайн достъп: |
http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=468682 |
| Подобни документи: |
Print version::
Utopia, carnival, and commonwealth in Renaissance England. |
Съдържание:
- Utopian Differences
- Defining Middles: Morris, Fourier, Marx
- Defining Beginnings: Utopia
- Carnival and Utopia
- Utopia as the Negation of Carnival
- Carnival Strikes Back: Rabelais's Abbey of Theleme
- Utopia and the Commonwealth
- Conjuring Revolution in the Dialogue of Counsel
- The Body Politic and Utopia in A Dialogue of Pole and Lupset
- A Discourse of the Commonweal, the East Anglian Rebellion, and the End of the Smallholding Utopia
- Sprung Desire and Groups in Flux: On the Politics of the Utopian Impulse in Marlowe and Shakespeare
- Travesty, Allegory, and the Political Effectivity of Renaissance Drama
- Marlowe and the Utopia of Sprung Desire
- Groups in Flux in Shakespeare's Henry IV, Part I
- Flights from the Tudor Settlement; or, Carnival and Commonwealth Revised
- Nashe's Lenten Utopia
- The Imperial Lab: Discovering Forms in The New Atlantis.