Корично изображение DVD

Listen /

Основен автор: Kerman, Joseph, 1924-
Други автори: Tomlinson, Gary., Kerman, Vivian.
Формат: DVD
Език: English
Публикувано: Boston : Bedford/St. Martin's, c2008.
Издание: 6th ed.
Предмети:
Music appreciation.
Онлайн достъп: Publisher description
Table of contents only
Book jacket
Съдържание:
  • Preface. To the instructor
  • Introduction. To the student
  • Music and history
  • Global perspectives
  • Listening
  • Listening charts
  • Companion DVD
  • unit I. Fundamentals
  • Listening
  • Prelude. An orchestral prelude / Richard Wagner
  • Listening chart 1: Wagner, Prelude to The Valkyrie
  • chapter 1. Music, sound, and time: 1. Sound vibrations ; 2. Dynamics (amplitude) ; Listening exercise 1. Pitch and dynamics ; 3. Tone color : overtones ; 4. Duration
  • chapter 2. Rhythm and pitch: 1. Rhythm ; Listening exercise 2. Rhythm, meter, and tempo ; Listening exercise 3. Rhythm, meter, and tempo ; 2. Pitch ; Interlude A. Musical notation
  • chapter 3. The structures of music: 1. Melody ; Box. Characteristics of tunes ; Listening exercise 4. Melody and tune ; 2. Harmony ; 3. Texture ; Listening exercise 5. Texture ; 4. Tonality and modality ; Listening exercise 6. Mode and key ; Interlude B. Musical instruments
  • chapter 4. Musical form and musical style: 1. Form in music ; Listening exercise 7. Musical form ; 2. Musical style ; Listening chart 2. Britten, the young person's guide to the orchestra
  • Unit II. Early music : an overview: chapter 5. The Middle Ages: 1. Music and the Church : plainchant ; Plainchant, Preface for Mass on Whit Sunday, "Vere dignum" ; Plainchant, Gregorian antiphon, "In paradisum" ; Hildegard of Bingen, Plainchant sequence, "Columba aspexit" ; 2. Music at court ; Box. How did early music sound? ; Bernart de Ventadorn, Troubadour song, "La dousa votz" ; 3. The evolution of polyphony ; Pérotin, Organum, "Alleluia. Diffusa est gratia" ; 4. Later medieval polyphony ; Guillaume de Machaut, Motet, "Quant en moi" ; Global perspectives 1. Sacred chant ; Qur'anic recitation, "Ya Sin" ; Hawai'ian chant, mele pule ; Navajo song, "K'adnikini'ya"
  • chapter 6. The Renaissance: 1. New attitudes ; Guillaume Dufay, Harmonized hymn, "Ave maris stella" ; 2. The high Renaissance style ; Josquin Desprez, Pange lingua Mass ; 3. Music as expression ; Josquin Desprez, Chanson, "Mille regrets" ; 4. Late Renaissance music ; Giovanni Pierluigi da Palestrina, Pope Marcellus Mass ; Thomas Weelkes, madrigal, "As Vesta was from Latmos Hill descending ; 5. Instrumental music : early developments ; Anonymous, Galliard, "Daphne" ; Anonymous, "Kemp's jig" ; Box. Dance stylization ; Global perspectives 2. Music and early European colonialism ; Hymn from the Andes, "Hanaq pachap kusikuynin"
  • chapter 7. The early Baroque period: 1. From Renaissance to Baroque ; Giovanni Gabrieli, Motet, "O magnum mysterium" ; 2. Style features of early Baroque music ; 3. Opera ; Claudio Monteverdi, The Coronation of Poppea ; Box. Singing Italian ; Henry Purcell, Dido and Aeneas ; 4. The rise of instrumental music ; Girolamo Frescobaldi, Suite (Canzona, Balletto, Corrente, and Passacaglia) ; Global perspectives 3. Ostinato forms ; A Gambian minstrel's song ; Elephant-hunt song
  • unit III. The eighteenth century: chapter 8. Prelude : the late Baroque period: 1. Absolutism and the age of science ; 2. Musical life in the early eighteenth century ; 3. Style features of late Baroque music ; 4. The emotional world of baroque music
  • chapter 9. Baroque instrumental music: 1. Concerto and concerto grosso ; Antonio Vivaldi, Violin Concerto in G, La stravaganza, Op. 4, No. 12 ; Listening chart 3. Vivaldi, Violin Concerto in G, first movement ; Biography : Antonio Vivaldi ; Antonio Vivaldi, Violin Concerto in G, second movement ; Listening chart 4. Vivaldi, Violin Concerto in G, second movement ; Johann Sebastian Bach, Brandenburg Concerto No. 5 ; Listening chart 5. Bach, Brandenburg Concerto No. 5, first movement ; 2. Fugue ; Biography : Johann Sebastian Bach ; Box. Fugues, free and learned ; Johann Sebastian Bach, The art of fugue, Contrapunctus 4 ; Listening chart 6. Bach, the art of fugue, Contrapunctus 4 ; 3. The dance suite ; Johann Sebastian Bach, orchestral suite No. 3 in D
  • chapter 10. Baroque vocal music: 1. Opera ; Box. The castrato ; George Frideric Handel, Julius Caesar ; 2. Oratorio ; Biography : George Frideric Handel ; George Frideric Handel, Messiah ; Box. Women in music ; 3. The church cantata ; Johann Sebastian Bach, Cantata no. 4, "Christ lag in Todesbanden" ; 4. The organ chorale ; Johann Sebastian Bach, chorale prelude, "Christ lag in Todesbanden"
  • chapter 11. Prelude : music and the enlightenment: 1. The enlightenment and music ; 2. The rise of concerts ; 3. Style features of classical music ; 4. Form in classical music
  • chapter 12. The symphony: 1. The movements of the symphony ; 2. Sonata form ; Wolfgang Amadeus Mozart, Symphony no. 40 in G minor, K. 550 ; Listening chart 7. Mozart, Symphony no. 40 in G minor, first movement ; Biography : Wolfgang Amadeus Mozart ; 3. Classical variation form ; Franz Joseph Haydn, Symphony no. 95 in C minor ; Listening chart 8. Haydn, Symphony no. 95, second movement ; 4. Minuet form (classical dance form) ; Biography : Franz Joseph Haydn ; Franz Joseph Haydn, Symphony no. 95 in C minor, third movement ; Listening chart 9. Haydn, Symphony no. 95, third movement ; 5. Rondo form ; Franz Joseph Haydn, Symphony no. 95 in C minor, fourth movement ; Listening chart 10. Haydn, Symphony no. 95, fourth movement
  • chapter 13. Other classical genres ; 1. The sonata ; Francesca LeBrun, Sonata in F, Op. 1, No. 3 ; 2. The classical concerto ; Wolfgang Amadeus Mozart, Piano concerto in A., K. 488 ; Listening chart 11. Mozart, Piano concerto in A, K. 488, first movement ; 3. The string quartet ; 4. Opera buffa ; Wolfgang Amadeus Mozart, Don Giovanni ; Global perspectives 4. Musical form : two case studies from Asia ; Listening chart 12. Japanese gagaku, Etenraku ; Listening chart 13. Balinese gamelan, I Lotring, Bopong
  • unit IV. The nineteenth century: chapter 14. Beethoven: 1. Between classicism and romanticism ; 2. Beethoven and the symphony ; Biography : Ludwig van Beethoven ; Ludwig van Beethoven, Symphony no. 5 in C minor, op. 67 ; Listening chart 14. Beethoven, Symphony no. 5, first movement ; Listening chart 15. Beethoven, Symphony no. 5 (complete work) ; 3. Beethoven's "Third period" ; Ludwig van Beethoven, String quartet in F, op. 135, second movement
  • chapter 15. Prelude : music after Beethoven : romanticism: 1. Romanticism ; 2. Concert life in the nineteenth century ; 3. Style features of romantic music ; 4. Program music ; 5. Form in romantic music
  • chapter 16. The early romantics: 1. The lied ; Franz Schubert, "Erlkönig" ("The Erlking") ; Biography : Franz Schubert ; Robert Schumann, Dichterliebe ("A Poet's Love") ; Biography : Robert Schumann ; Biography : Clara Wieck (Clara Schumann) ; Clara Schumann, "Der Mond kommt still gegangen" ("The moon has risen softly") ; 2. The character piece for piano ; Franz Schubert, Moment musical no. 2 in A-flat ; Robert Schumann, Carnaval ; Frédéric Chopin, Nocturne in F-sharp, op. 15, no. 2 ; Biography : Frédéric Chopin ; Biography : Franz Liszt ; 3. Early romantic program music ; Biography : Felix Mendelssohn ; Biography : Fanny Mendelssohn ; Hector Berlioz, Fantastic Symphony : episodes in the life of an artist ; Biography : Hector Berlioz ; Listening chart 16. Berlioz, Fantastic symphony, fifth movement
  • chapter 17. Romantic opera: Box. Early romantic opera ; 1. Verdi and Italian opera ; Biography : Giuseppe Verdi ; Giuseppe Verdi, Aida ; 2. Wagner and music drama ; Biography. Richard Wagner ; Box. Wagner's Tristan and Isolde ; Richard Wagner, The Nibelung's Ring ; chapter 18. The late romantics ;1. Late romantic program music ; Pyotr Ilyich Tchaikovsky, Overture-fantasy, Romeo and Juliet ; Biography : Pyotr Ilyich Tchaikovsky ; Listening chart 17. Tchaikovsky, Overture-fantasy, Romeo and Juliet ; 2. Nationalism ; Modest Musorgsky, Pictures at an exhibition ; Biography: Modest Musorgsky ; 3. Responses to romanticism ; Box. Other nationalists ; Biography : Johannes Brahms ; Johannes Brahms, Violin concerto in D, op. 77 ; Listening chart 18. Brahms, Violin concerto, third movement ; Biography : Gustav Mahler ; Gustav Mahler, Symphony no. 1 ; Listening chart 19. Mahler, Symphony no. 1, third movement, Funeral march ; Global perspectives ; 5. Musical drama worldwide ; Japanese kabuki, Dojoji ; Beijing opera, The prince who changed into a cat
  • unit V. The twentieth century and beyond: chapter 19. Prelude : music and modernism: 1. Progress and uncertainty ; 2. The response of modernism ; 3. Literature and art before World War I ; 4. Modernist music before World War I
  • chapter 20. The twentieth century : early modernism: 1. Debussy and impressionism ; Claude Debussy, Three nocturnes ; Biography : Claude Debussy ; 2. Stravinsky : the primacy of rhythm ; Listening chart 20. Debussy, Claude ; Igor Stravinsky, The tite of dpring : Part I, "The adoration of the earth" ; Listening chart 21. Stravinsky, The rite of spring, from Part I ; Biography : Igor Stravinsky
  • 3. Expressionism ; Arnold Schoenberg, Pierrot lunaire ; Biography : Arnold Schoenberg ; Alban Berg, Wozzeck ; Box. Schoenberg and serialism ; 4. Modernism in America : Ives ; Biography : Charles Ives ; Charles Ives, Second orchestral set, second movement, "The rockstrewn hills join in the people's outdoor meeting" ; Listening chart 22. Ives, "The rockstrewn hills" ; Charles Ives, The unanswered question
  • chapter 21. Alternatives to modernism: Box. Opera in the early twentieth century ;1. Maurice Ravel ; Biography : Maurice Ravel ; Maurice Ravel, Piano concerto in G ; Listening chart 23. Ravel, Piano concerto in G, first movement ; 2. Béla Bartók ; Biography : Béla Bartók ; Béla Bartók, Music for strings, percussion, and celesta ; Listening chart 24. Bartók, Music for strings, percussion, and celesta, second movement ; 3. Aaron Copland ; Aaron Copland, Appalachian spring ; Biography : Aaron Copland ; 4. The rise of film music ; Box. Music and totalitarianism ; Sergei Prokofiev, Alexander Nevsky ; Biography : Sergei Prokofiev ; Listening chart 25. Prokofiev, Alexander Nevsky, Cantata 5 : The battle on ice
  • chapter 22. The late twentieth century: 1. Modernism in music : the second phase ; Anton Webern, Five orchestral pieces of 1913 ; 2. The postwar avant-garde ; György Ligeti, Lux aeterna ; Listening chart 26. Ligeti, Lux aeterna ; Box. Modernist music and architecture ; Edgard Varèse, Poème électronique ; John Cage, 4' 33" ; 3. Music at the end of the millennium ; Steve Reich, Music for 18 musicians ; Listening chart 27. Reich, Music for 18 musicians, beginning ; Kaija Saariaho, From the grammar of dreams ; John Adams, El niño
  • chapter 23. Music in America : jazz and beyond: 1. Early American music : an overview ; 2. Jazz : the first fifty years ; Sippie Wallace, "If you ever been down" blues ; Biography : ragtime : Scott Joplin ; Biography : Louis Armstrong ; Duke Ellington, "Conga brava" ; Biography : Duke Ellington ; Global perspectives 6. African drumming ; Yoruba drumming ; 3. Later jazz ; Charlie Parker and Miles Davis, "Out of nowhere" ; Miles Davis, "Bitches brew" ; 4. The influence of jazz and blues ; George Gershwin, Piano prelude no. 1 ; Leonard Bernstein, West Side story ; 5. Rock : the first fifty years ; Global perspectives 7. Global music ; South African choral song, "Anoku gonda" ; 6. Conclusion
  • Appendix A. Time lines
  • Appendix B. Suggested readings and recommended Web sites
  • Glossary of musical terms
  • Index.

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