Съдържание:
  • The rise of the novel in the eye of literary history
  • Licensed by the market : Behn's Love letters as serial entertainment
  • Formulating fiction for the general reader : Manley's New Atalantis and Haywood's Love in excess
  • The antinovel discourse and rewriting reading in Roxana
  • The Pamela media event
  • Joseph Andrews as performative entertainment.