Art, myth, and society in Hegel's aesthetics
| Основен автор: | James, David, 1966- |
|---|---|
| Автор-организации: | ebrary, Inc. |
| Формат: | Електронен |
| Език: | English |
| Публикувано: |
London ; New York :
Continuum,
2009.
|
| Серия: |
Continuum studies in philosophy
|
| Предмети: | |
| Онлайн достъп: |
An electronic book accessible through the World Wide Web; click to view |
Съдържание:
- Introduction
- The symbolic form of art
- Kant's theory of the mathematical sublime and the boundlessness of the symbolic form of art
- The classical sublimity of Judaism
- The classical form of art
- The original epic
- The ideal
- The transition to the revealed religion and the romantic form of art
- The revealed religion
- Representational thought and the romantic form of art
- Traces of left-hegelianism in Hegel's lectures on aesthetics
- The end of mythology
- The significance of Kierkegaard's interpretation of Don Giovanni in relation to Hegel's theory of the end of art
- The end of art
- The opera as a modern art form
- Hegel and Lukács's on the possibility of a modern epic
- The problem of a modern epic
- The modern epic and history
- Civil society as the background to the modern epic
- Myth and society : a common theme in the thought of Hegel and Sorel
- Sorel's myth of the general strike
- Myth and modern ethical life.