The art of the choral conductor /
| Основен автор: | Finn, William J. 1881-1961. |
|---|---|
| Формат: | Книга |
| Език: | English |
| Публикувано: |
Evanston, Ill.:
Summy-Birchard Pub. Co.,
[1960]
|
| Предмети: | |
| Подобни документи: |
Online version::
Art of the choral conductor. |
Съдържание:
- V. 1. Choral musicianship
- Three primary precepts
- The five stages
- The positive development
- Accurate pitch
- Dramatic voices
- The color scheme
- The alto-line (the changing voice and counter-tenors)
- The alto-line
- continued (mezzo-sopranos and contraltos)
- Tenors, baritones, and basses
- Blend and balance of parts
- The control of dynamics and tempo
- Diction
- The art of vocalization
- Baton technique
- Sight reading.
- V. 2. The conductor a re-creator
- Rhythm
- Tempo
- Dynamics (the general strategy for dealing with tonal volume)
- Dynamics (the curve line, tessitura and rilievo)
- Dynamics (accidentals, dissonance, ornament, counterpoint, canon, fugue)
- A capella polyphony (Masses, motets, madrigals, canzonets, ayres, etc.)
- Homophony (hymn tunes, part songs; face and concomitant melodies in vertical harmony).