The medieval lyric /
To read Peter Dronke's book is to want immediately to read again the lyrics about which he writes so perceptively. His understanding of human nature combines with an extraordinary bird's-eye view of Western European culture in the middle ages (and familiarity with the languages) to present...
| Основен автор: | Dronke, Peter. |
|---|---|
| Формат: | Книга |
| Език: | English |
| Публикувано: |
Woodbridge, Suffolk, UK ; Rochester, NY, USA :
D.S. Brewer,
1996.
|
| Издание: | 3rd ed. |
| Предмети: |
Съдържание:
- 1. Introduction: performers and performance. 1. The performer's travels. 2. The performer's and composer's social status. 3. The mode of performance. 4. The performer's repertoire
- 2. The rise of religious lyric. 1. Beginnings. 2. The early sequence. 3. The eleventh century. 4. Twelfth-century France. 5. Italy and the Franciscans. 6. Early English lyrics. 7. Spain and Portugal. 8. Germany and the Low Countries
- 3. 'Cantigas de amigo'
- 4. Transformations of medieval lovelyric. 1. Guillaume and Kurenberc. 2. Troubadours and trouveres. 3. Minnesang. 4. A Latin lyric. 5. English and Galician love-songs. 6. From the Sicilians to Dante
- 5. The Alba
- 6. Dance-songs
- 7. Lyrics of realism
- Postscript 1977
- Melodies.