Корично изображение Книга

Literary criticism--idea and act : the English Institute, 1939-1972 :selected essays /

Автор-организации: English Institute.
Други автори: Wimsatt, William K. 1907-1975, (comp.)
Формат: Книга
Език: English
Публикувано: Berkeley, Calif. : University of California Press, [1974].
Предмети:
Съдържание:
  • pt. 1.
  • Act: the nature of literature and of literary study, 1939-1971:
  • The search for English literary documents, 1939 /
  • James M. Osborn
  • Mimesis and allegory, 1940 /
  • W.H. Auden
  • The parallelism between literature and the arts, 1941 /
  • René Wellek
  • The modern myth of the modern myth, 1947 /
  • Donald A. Stauffer
  • Imagination as value, 1948 /
  • Wallace Stevens
  • The defense of the illusion and the creation of myth: device and symbol in the plays of Shakespeare, 1948 /
  • Leslie A. Fiedler
  • Memesis and katharsis: an archetypal consideration, 1951 /
  • Philip Wheelwright
  • Ramus: rhetoric and the pre-Newtonian mind, 1952 /
  • Walter J. Ong
  • Belief and the suspension of disbelief, 1957 /
  • M.H. Abrams
  • Patristic exegesis in the criticism of medieval literature: the opposition, 1958 /
  • E. Talbot Donaldson
  • The fate of pleasure: Wordsworth to Dostoevski, 1962 /
  • Lionel Trilling
  • Ghostlier demarcations [Frye's archetypes], 1965 /
  • Geoffrey H. Hartman
  • Sign, sense, and Roland Barthes, 1971 /
  • Hugh M. Davidson
  • Whorf, Chomsky, and the student of literature, 1971 /
  • George Steiner
  • pt. 2.
  • Act: English literature, 1600-1950 (works, authors, periods, types):
  • Musica Mundana and Twelfth night (1956) /
  • John Hollander
  • On the value of Hamlet (institute papers, 1969) /
  • Stephen Booth
  • Shakespeare's texts and modern productions (1968) /
  • Daniel Seltzer
  • The example of Cervantes: the novel as parody (1955) /
  • Harry Levin
  • Unifying symbols in the comedy of Ben Jonson (1954) /
  • Ray L. Heffner, Jr.
  • The re-invented poem: George Herbert's alternatives (1969) /
  • Helen Vendler
  • A mask presented at Ludlow Castle: the masque as a masque (1964) /
  • C.L. Barber
  • The rising poet, 1645 [Milton] (1964) /
  • Louis L. Martz
  • Literary criticism: Marvell's "Horatian ode" (1946) /
  • Cleanth Brooks
  • Restoration comedy and later (1954) /
  • Marvin Mudrick
  • Imitation as freedom: 1717-1798 (1968) /
  • W.K. Wimsatt
  • The satiric Blake: apprenticeship at the Haymarket? (1968) /
  • Martha W. England
  • Coleridge: the anxiety of influence (1971) /
  • Harold Bloom
  • The irrelevant detail and the emergence of form [in the novel] (1970) /
  • Martin Price
  • Dickens and the comedy of humors (1967) /
  • Northrop Frye
  • Two faces of Edward (1959) /
  • Richard Ellmann
  • Poetic drama and the well-made play (1949) /
  • Arthur Mizener
  • Poetry in the theatre and the poetry of the theatre: Cocteau's Infernal machine (1949) /
  • Francis Fergusson
  • Sartre and the drama of ensnarement (1963) /
  • Victor Brombert
  • The upper apocalypse (1972) /
  • Hugh Kenner.