European theories of the drama, with a supplement on the American drama; an anthology of dramatic theory and criticism from Aristotle to the present day, in a series of selected texts, with commentaries, biographies, and bibliographies.
| Основен автор: | Clark, Barrett H. 1890-1953. |
|---|---|
| Формат: | Книга |
| Език: | English |
| Публикувано: |
New York,
Crown Publishers
[1965]
|
| Издание: | Newly rev. |
| Предмети: | |
| Подобни документи: |
Online version::
European theories of the drama. |
Съдържание:
- Greek dramatic criticism
- The poetic / Aristotle
- Latin dramatic criticism
- The art of poetry / Horace
- Dramatic criticism of the Midddle Ages
- On comedy and tragedy / Donatus
- Epistle to Can Grande / Dante
- Italian dramatic criticism of the Renaissance
- Poetics / Daniello
- The art of poetry / Minturno
- Poetics / Scaliger
- Poetics / Castelvetro
- French dramatic criticism of the Renaissance
- The art of poetry / Sebillet
- The art of tragedy / De la Taille
- Spanish dramatic criticism of the golden age
- Spanish dramatic criticism of the eighteenth century
- Spanish dramatic criticism of the nineteenth and twentieth centuries
- Don Quixote / Cervantes
- The new art of writing plays / Lope de Vega
- The orchards of Toledo / Tirso de Molina
- The authority of the theatre / Lorca
- Elizabethan dramatic criticism
- An apologie for poetry / Sir Philip Sidney
- Timber; or, Discoveries, etc.; To the readers (dedication of Sejanus); Dedication to Volpone / Ben Jonson
- French dramatic criticism of the seventeenth century
- Preface to Tyre and Sidon / Ogier
- Opinions of the French Academy; Summary of a poetic of the drama / Chapelain
- The whole art of the stage / Abbé d'Aubignac
- Discourse on the uses and elements of dramatic poetry / Corneille
- School for wives criticized; Preface to Tartuffe / Molière
- Preface to La Thébaide; First preface to Andromaque; First preface to Britannicus; Preface to Bérénice; Preface to Phèdre / Racine
- The art of poetry / Boileau
- Of ancient and modern tragedy / Saint-Evremond
- Restoration an eighteenth century English dramatic criticism
- An essay of dramatick poesie; Preface to Troilus and Cressida / Dryden
- Preface to Samson Agonistes / Milton
- A short view of tragedy / Rymer
- Concerning humour in comedy / Congreve
- A discourse upon comedy / Farquhar
- The Spectator / Joseph Addison
- Preface to Shakespeare / Johnson
- An essay on the theatre / Oliver Goldsmith
- Of tragedy / David Hume
- Italian dramatic criticism of the seventeenth century
- Italian dramatic criticism of the eighteenth century
- Italian dramatic criticism of the nineteenth and twentieth centuries
- The comic theater; Memoirs / Goldoni
- Useless memoirs / Gozzi
- Preface to Six Characters in Search of an Author / Pirandello
- German dramatic criticism from the beginning ot Lessing
- Hamburg dramaturgy / Lessing
- French dramatic criticism of the eighteenth century
- Preface to Herod and Marianne; Letter to Father Porée (preface to Oedipus); A discourse on tragedy (preface to Brutus) / Voltaire
- On dramatic poetry / Diderot
- Essay on the serious drama; Dedicatory letter to The Barber of Seville / Beaumarchais
- Modern German dramatic criticism
- Preface to The Robbers; On tragic art / Schiller
- Conversations; Epic and dramatic poetry / Goethe
- Lectures on dramatic art and literature / Schlegel
- The purpose of the opera / Wagner
- The birth of tragedy from the spirit of music / Nietzsche
- Oedipus and Hamlet / Freud
- Theatre for learning / Bertolt Brecht
- Problems of the theatre / Duerrenmatt
- Scandinavian dramatic criticism
- On the poet's vision; To the Norwegian Women's Rights League; Ibsen and socialism / Henrik Ibsen
- Author's foreword to Miss Julie / August Strindberg
- Russian dramatic criticism
- Letters on the drama / Chekhov
- The magic ifs / Stanislavsky
- French drama of the eighteenth century / Plekhanov
- The author and society: the Soviet point of view / Korneichuk
- French dramatic criticism of the nineteenth and twentieth centuries
- Racine or Shakespeare? / Stendhal
- Preface to Cromwell / Hugo
- Preface to A prodigal father / Dumas fils
- Preface to Thérèse Raquin
- The law of the drama / Brunetière
- The comic element / Bergson
- The tragical in daily life; Preface to the plays / Maeterlinck
- The theatre and cruelty / Artaud
- Forgers of myths / Jean-Paul Sartre
- There is no avant-garde theatre / Eugene Ionesco
- English dramatic criticism of the nineteenth and twentieth centuries
- Greek drama; The progress of drama; The drama generally, and public taste; Notes on The Tempest; Shakespeare's English historical plays; Notes on Othello / Samuel Taylor Coleridge
- On the artificial comedy of the last century / Lamb
- On the comic writers of the last century / Hazlitt
- An essay on comedy / Meredith
- The author's apology; The problem play / George Bernard Shaw
- Playmaking / Archer
- Emotion of multitude; The reform of the theatre / William Butler Yeats
- Preface to The playboy of the western world; Preface to The tinker's wedding / John Millington Synge
- Green goddess of realism / Sean O'Casey
- Poetry and drama / T.S. Eliot
- Supplement on the United States
- Dramatic criticism of the United States
- The art of the dramatist / Matthews
- The essentials of drama / Baker
- The drama as an art / Nathan
- Speaking of the theater / Lewisohn
- The tragic fallacy / Joseph Wood Krutch
- O'Neill talks about his plays; Memoranda on masks; Neglected poet / Eugene O'Neill
- The law of conflict / Lawson
- The essence of tragedy / Anderson
- Catharsis and the modern theater / Gassner
- The tragic blueprint / Brown
- Oedipus Rex / Fergusson
- The timeless world of a play / Tennessee Williams
- Specific forms of drama / Northrop Frye
- Tragedy and the common man / Arthur Miller
- What is theatre? a point of view / Eric Bentley.