Lavish self-divisions : the novels of Joyce Carol Oates /
Joyce Carol Oates's authorial voice is lavishly diverse. In her works she divides herself into many voices, many persons. This up-to-date examination of Oates's novels argues that the father-identified daughters in her early novels have become, in the novels of the 1980s, self-authoring wo...
| Основен автор: | Daly, Brenda O., 1941- |
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| Формат: | Електронна книга |
| Език: | English |
| Публикувано: |
Jackson, Miss. :
University Press of Mississippi,
℗♭1996.
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| Предмети: | |
| Онлайн достъп: |
http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=24969 |
| Подобни документи: |
Print version::
Lavish self-divisions. |
Съдържание:
- Introduction: Lavish Self-Divisions: The Novels of Joyce Carol Oates
- pt. 1. Anxious Authorship in the 1960s: Daughters Leaving Home. 1. Not Strictly Parallel: The Sacrificial Plots of Daughters and Sons in With Shuddering Fall. 2. Yeats's Daughter: Images of "Leda and the Swan" in the Trilogy of the 1960s. 3. "The Central Nervous System of America": The Writer in/as the Crowd in Wonderland
- pt. 2. Dialogic Authorship in the 1970s: Marriage and Infidelities. 4. Marriage as Novel: Beyond the Conventions of Romance and Law in Do with Me What You Will. 5. Wedding a (Woman) Writer's Voices: Dis-membering the "I" in The Assassins, Re-membering "Us" in Childwold. 6. Self-Narrating Woman: Marriage as Emancipatory Metaphor in Unholy Loves
- pt. 3. Communal Authorship in the 1980s: The (M)other in Us. 7. Daughters of the American Revolution: "Idiosyncratic" Narrators in Three Postmodern Novels.