Съдържание:
  • Introduction: The Reality of Imaginary Communities
  • Genre and the Spatial Histories of Modernity
  • The Institutional Being of Genre
  • Space and Modernity
  • Estrangement and the Temporality of Utopia
  • Utopia and the Birth of Nations
  • Reauthoring, or the Origins of Institutions
  • Utopiques and Conceptualized Space
  • Crime and History
  • Utopia and the Nation-Thing
  • Utopia and the Work of Nations
  • Writing the New American (Re)Public: Remembering and Forgetting in Looking Backward
  • Remembering
  • The Contemporary Cul-de-Sac
  • Fragmentation
  • Consumerism and Class
  • "The Associations of Our Active Lifetime"
  • Forgetting
  • The Occluded Future: Red Star and The Iron Heel as "Critical Utopias"
  • Red Star and the Horizons of Russian Modernity
  • The Long Revolution of The Iron Heel
  • "Nameless, Formless Things"
  • "Gaseous Vertebrate"
  • Simplification and the New Subject of History
  • A Map of Utopia's "Possible Worlds": Zamyatin's We and Le Guin's The Dispossessed
  • Reclaiming We for Utopia
  • The City and the Country
  • Happiness and Freedom
  • The Play of Possible Worlds
  • We's Legacy: The Dispossessed and the Limits of the Horizon
  • Modernity, Nostalgia, and the Ends of Nations in Orwell's Nineteen Eighty-Four
  • From Utopian Modernism to Naturalist Utopia
  • Orwell and Mannheim: Nineteen Eighty-Four as "Conservative Utopia"
  • The Crisis of Modern Reason
  • Modernization against Modernity: The Culture Industry and "Secondary Orality"
  • "If there was hope ... ": Orwell's Intellectuals.