The terministic screen : rhetorical perspectives on film /
| Други автори: | Blakesley, David. |
|---|---|
| Формат: | Електронна книга |
| Език: | English |
| Публикувано: |
Carbondale :
Southern Illinois University Press,
℗♭2003.
|
| Предмети: | |
| Онлайн достъп: |
http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=104399 |
| Подобни документи: |
Print version::
Terministic screen. |
Съдържание:
- Mapping the other: The English patient, colonial rhetoric, and cinematic representation / Alan Nadel
- Rhetoric and the early work of Christian Metz: augmenting ideological inquiry in rhetorical film theory and criticism / Ann Chisholm
- Temptation as taboo: a psychorhetorical reading of The last temptation of Christ Martin J. Medhurst
- Hyperrhetoric and the inventive spectator: remotivating The fifth element / Byron Hawk
- Time, space, and political identity: envisioning community in Triumph of the will / Ekaterina V. Haskins
- On rhetorical bodies: Hoop dreams and constitutional discourse / James Roberts
- Looking for the public in the popular: the Hollywood blacklist and the rhetoric of collective memory / Thomas W. Benson
- Copycat, serial murder, and the (de)terministic screen narrative / Philip L. Simpson
- Opening the text: reading gender, Christianity, and American intervention in Deliverance / Davis W. Houck and Caroline J.S. Picart
- From "world conspiracy" to "cultural imperialism": the history of anti-Plutocratic rhetoric in German film / Friedemann Weidauer
- Rhetorical conditioning: The Manchurian candidate / Bruce Krajewski
- Sophistry, magic, and the vilifying rhetoric of The usual suspects / David Blakesley
- Textual trouble in River City: literacy, rhetoric, and consumerism in The music man / Harriet Malinowitz
- Screen play: Ethos and dialectics in A time to kill / Granetta L. Richardson
- Postmodern dialogics in Pulp fiction: Jules, Ezekiel, and double-voiced discourse.