Съдържание:
  • Tracing Okiek portraits: images, exhibitions, and the politics of representation
  • Producing Okiek portraits: collaboration, negotiation, and exhibitionary authority
  • Imagining audiences: Okiek portraits in Kenya
  • Imagining audiences: Okiek portraits and the United States
  • The final venues: designing and defining interpretation
  • Appendix A. The politics of representation and identities
  • Appendix B. Key relationships represented in Okiek portraits
  • Appendix C. Learning about visitors in Michigan and Georgia.