Съдържание:
  • Defining theatrical event and audience research
  • Spectatorship social audiences, and risk: Shakespeare and the Q theatre
  • Imagining audiences: the Eyre-Griffiths productions of The cherry orchard
  • The "reading Chekhov" project: social audiences and reading formations
  • The theatrical event: inner and outer audience frames
  • Contextual theatricality: the theatrical event as occasion and place
  • Cultural contexts: theatrical event, liminality and risk in The free state and The cherry orchard
  • Playing culture: pleasurable play in The free state and The cherry orchard
  • Theatrical playing: Much Ado, mediatization and "liveness."