Making music in Los Angeles : transforming the popular /
A social history of music in Los Angeles from the 1880s to 1940, this title ventures into an often neglected period to discover that during America's Progressive Era, LA was a centre for making music long before it became a major metropolis.
| Основен автор: | Smith, Catherine Parsons, 1933-2009. |
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| Формат: | Електронна книга |
| Език: | English |
| Публикувано: |
Berkeley :
University of California Press,
℗♭2007.
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| Предмети: | |
| Онлайн достъп: |
http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=212111 |
| Подобни документи: |
Print version::
Making music in Los Angeles. |
Съдържание:
- Music making as popular practice
- Music for the "people". "The largest and most enthusiastic audience that ever has assembled in the city" : the National Opera Company of 1887 ; "A precarious means of living" : early working musicians and some of their jobs ; "Popular prices will prevail" : competing and cooperating impresarios ; Amateurs, professionals, and symphonies : Harley Hamilton and Edna Foy ; "Our awe struck vision" : a prominent impresario reconsidered
- Progressive-era musical idealism. The "true temple of art" : Philharmonic Auditorium and progressive ideology ; "Something of good for the future" : the People's Orchestra of 1912-1913 ; Producing Fairyland, 1915 ; Founding the Hollywood Bowl
- From progressive to ultramodern. Old competitors, new opera companies in 1925 ; The new negro movement in Los Angeles ; Welcoming the ultramodern ; Second thoughts ; Calling the tune : the Los Angeles Federal Music Project.