Framed time : toward a postfilmic cinema /
Italian director Michelangelo Antonioni claimed, three decades ago, that different conceptions of time helped define the split in film between European humanism and American science fiction. And as Garrett Stewart argues here, this transatlantic division has persisted since cinema?s 1995 centenary,...
| Основен автор: | Stewart, Garrett. |
|---|---|
| Формат: | Електронна книга |
| Език: | English |
| Публикувано: |
Chicago :
University of Chicago Press,
2007.
|
| Серия: |
Cinema and modernity.
|
| Предмети: | |
| Онлайн достъп: |
http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=260237 |
| Подобни документи: |
Print version::
Framed time. |
Съдържание:
- Acknowledgments; Introduction: On Optical Allusion; Lexeme to Pixel: An Experiment in Narratography; Trick Beginnings and the European Uncanny; Out of Body in Hollywood; Temportation; VR from Cimnemonics to Digitime; Media Archaeology, Hermeneutics, Narratography; Appendix: Precinematics; or, Reading the Narratogram; Notes; Terms; Index.