Hard hats, rednecks, and macho men : class in 1970s American cinema /
Everywhere you look in 1970s American cinema, you find white working-class men. They bring a violent conclusion to Easy Rider, murdering the film's representatives of countercultural alienation and disaffection. They lurk in the Georgia woods of Deliverance, attacking outsiders in a manner that...
| Основен автор: | Nystrom, Derek. |
|---|---|
| Формат: | Електронна книга |
| Език: | English |
| Публикувано: |
Oxford ; New York :
Oxford University Press,
℗♭2009.
|
| Предмети: | |
| Онлайн достъп: |
http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=294842 |
| Подобни документи: |
Print version::
Hard hats, rednecks, and macho men. |
Съдържание:
- Introduction: Making Class Visible in Film and Cultural Studies; PART I: HARD HATS AND MOVIE BRATS; 1 Class and the Youth-Cult Cycle; PART II: REDNECKS AND GOOD OLE BOYS: THE RISE OF THE SOUTHERN; 2 Deliverance, An Allegory of the Sunbelt; 3 Keep On Truckin': The Southern Cycle and the Invention of the Good Ole Boy; PART III: MACHO MEN AND THE NEW NIGHTLIFE FILM; 4 Saturday Night Fever and the Queering of the White, Working-Class Male Body; 5 Extra Masculinity: Looking for Mr. Goodbar and Cruising; Conclusion: Working-Class Solidarity and Its Others.