When machines play Chopin : musical spirit and automation in nineteenth-century German literature /
WhenMachines Play Chopin brings together music aesthetics, performance practices, and the history of automated musical instruments in nineteenth-century German literature. Philosophers defined music as a direct expression of human emotion while soloists competed with one another to display machine-l...
| Основен автор: | Hirt, Katherine Maree. |
|---|---|
| Формат: | Електронна книга |
| Език: | English |
| Публикувано: |
Berlin ; New York :
Walter de Gruyter,
℗♭2010.
|
| Серия: |
Interdisciplinary German cultural studies ;
v. 8. |
| Предмети: | |
| Онлайн достъп: |
http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=331760 |
| Подобни документи: |
Print version::
When machines play Chopin. |
Съдържание:
- Towards autonomy : imitation and expression at the turn of the nineteenth century
- E.T.A. Hoffmann's aesthetics of music and musical machines in "The Automata," "The Sandman" and music reviews
- Schopenhauer and Hanslick : toward a definition of instrumental music as an autonomous art
- Virtuosity and the experience of listening in Heinrich Heine's music criticism and "Florentine nights"
- Rilke's phonograph : the "talking machine" and imagined sound.