Adapting King Lear for the stage /
Exploring whether the impulse to adapt Shakespeare has changed over time, Lynne Bradley argues for restoring a sense of historicity to the study of adaptation. Bradley compares adaptations of King Lear from the seventeenth through the nineteenth centuries to twentieth-century rewritings of the play,...
| Основен автор: | Bradley, Lynne. |
|---|---|
| Формат: | Електронна книга |
| Език: | English |
| Публикувано: |
Farnham, Surrey, England ; Burlington, VT :
Ashgate,
℗♭2010.
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| Предмети: | |
| Онлайн достъп: |
http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=389901 |
| Подобни документи: |
Print version::
Adapting King Lear for the stage. |
Съдържание:
- "Why, this is not Lear": adaptations before the twentieth century
- "Other accents borrow": Bottomley, Baring and a new approach to adaptation
- "Only we shall retain the name": Bond's Lear and Barker's Seven Lears
- "Re-vision" of the kingdom: feminist adaptations of King Lear
- "The promised end?"