Hollywood's African American films the transition to sound /
In 1929 and 1930, during the Hollywood studios' conversion to synchronized-sound film production, white-controlled trade magazines and African American newspapers celebrated a "vogue" for "Negro films." "Hollywood's African American Films" argues that the movi...
| Основен автор: | Friedman, Ryan Jay. |
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| Формат: | Електронен |
| Език: | English |
| Публикувано: |
Piscataway :
Rutgers University Press,
2011.
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| Предмети: | |
| Онлайн достъп: |
http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=433558 |
| Резюме: |
In 1929 and 1930, during the Hollywood studios' conversion to synchronized-sound film production, white-controlled trade magazines and African American newspapers celebrated a "vogue" for "Negro films." "Hollywood's African American Films" argues that the movie business turned to black musical performance to both resolve technological and aesthetic problems introduced by the medium of "talking pictures" and, at the same time, to appeal to the white "Broadway" audience that patronized their most lucrative first-run theaters. Ryan Jay Friedman a. |
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| Физически характеристики: |
1 online resource (xi, 247 pages) : illustrations |
| Библиография: |
Includes bibliographical references and index. |
| ISBN: |
9780813550800 0813550807 1283864371 9781283864374 |