Съдържание:
  • Overview
  • The transition from crime films to television series: a brief history
  • From Tempean and Kenilworth to new world: Robert S. Baker and Monty Berman
  • Murder ballads from Merton Park: dual purpose films
  • American arrivistes
  • Hannah Weinstein, HUAC and Colonel March of Scotland Yard
  • In whispers: the Danziger brothers and the industrialization of the crime narrative
  • Cultural accommodations: domestic and foreign
  • The partisans of Park Lane: Ghost squad
  • Sign no more: the resurrection, reformation and rehabilitation of The third man's Harry Lime
  • Conclusion.