Съдържание:
  • Defective histories: re-presenting history in Innocence, Mary and Lizzie, and Mutabilitie
  • Queer nation: homosexual representations of national identity in Observe the sons of Ulster marching towards the Somme and Dolly West's kitchen
  • The wilde Irishmen: 'theatre theatrical' in Gates of gold
  • Camping in utopia: Carthaginians and the queer aesthetic
  • Holy irreverence: The gospel according to Judas
  • There's no place like 'home': The bird sanctuary, Someone who'll what over me, and The factory girls
  • Conclusion
  • Appendix 1: interview with Frank McGuinness
  • Appendix 2: interview with Senator David Norris
  • Appendix 3: interview with Patrick Mason.