The German Joyce
In August 1919, a production of James Joyce's Exiles was mounted at the Munich Schauspielhaus and quickly fell due to harsh criticism. The reception marked the beginning of a dynamic association between Joyce, German-language writers, and literary critics. It is this relationship that Robert We...
| Основен автор: | Weninger, Robert K. |
|---|---|
| Формат: | Електронен |
| Език: | English |
| Публикувано: |
Florida :
University Press of Florida,
2012.
|
| Серия: |
Florida James Joyce series.
|
| Предмети: | |
| Онлайн достъп: |
http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=482937 |
Съдържание:
- Cover; Contents; List of Figures; Foreword; Acknowledgments; Introduction; Part I. The Nacheinander: The German Reception of Joyce; 1. Exiles, Act I: Enter James Joyce, a "Poet of Silence and Truth"; 2. "The Homer of Our Time": The German Reception of Ulysses, 1919-1945; 3. "Joyce has made me a different reader: I am just glad I don't have to understand him": The Institutionalization of "Joyce" after 1945; Part II. The Nebeneinander: Intertextual Echoes; 4. "A Great Poet on a Great Brother Poet": A Parallactic Reading of Goethe and Joyce; 5. Joyce, DADA & Co.: Modernist ConInfluences.
- 6. The Epitome of the Epiphany: Stephen and Malte, Joyce and Rilke7. "'Concordances' of Utter Chaos Post Rem": A Portrait of James Joyce as a Chapter in German (Marxist) Literary History; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z.