Globalizing Contemporary Art the art world's new internationalism.
Today, contemporary art is a global phenomenon. Biennales, museums, art fairs, galleries, auction houses, academies and audiences for contemporary visual art are all institutions whose presence on a global scale has widened tremendously during the past two decades. Thus, by including contemporary ar...
| Основен автор: | Philipsen, Lotte. |
|---|---|
| Формат: | Електронен |
| Език: | English |
| Публикувано: |
Santa Barbara :
Aarhus University Press,
2010.
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| Предмети: | |
| Онлайн достъп: |
http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=515709 |
Съдържание:
- Front Matter; Front Cover; Title Page; Copyright Page; Contents; Introduction. New Internationalism; The (un)official status of New Internationalism; The discourse of New Internationalism; 'Western', 'non-Western', 'global', and 'globalization'; The global art institution; Chapter 1. The art of old and new internationalism; The hegemony of Western art (history); Western art history; Art; Complexity; Chapter 2. Exhibiting artistic modernism and modernity; Documenta and New Internationalism; Becoming 'Western'; 'Primitivism' in 20th Century Art; Socio-global Documentas; Magiciens de la terre.
- The problem of postmodern multiculturalismThe new international antagonism; Tropicalia; China Avant-garde; Havana biennial; Chapter 3. Racial, sexual and aesthetic differences in art; Postcolonial theory; Black Art; From Black Art to black representation; Feminism; Art and aesthetics; The concept of art; Habitual institutional management; Chapter 4. New international influences; Localism; Contemporary art in ethnographic museums; Visual culture; Urbanism; Chapter 5. Global dimensions of contemporary art; World art; New media art; The art market; New international potentials of capitalism.