A cultural history of the avant-garde in the Nordic countries 1900-1925
A Cultural History of the Avant-Garde in the Nordic Countries 1900-1925 is the first publication to deal with the avant-garde in the Nordic countries at the start of the twentieth century. The essays cover a wide range of avant-garde manifestations in arts and culture: literature, the visual arts, p...
| Други автори: | Berg, Hubert van den., ©lholm, Marianne. |
|---|---|
| Формат: | Електронен |
| Език: | English |
| Публикувано: |
Amsterdam ; New York :
Rodopi,
2012.
|
| Серия: |
Avant garde critical studies ;
28. |
| Предмети: | |
| Онлайн достъп: |
http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=551916 |
| Подобни документи: |
Print version::
A Cultural History of the Avant-Garde in the Nordic Countries 1900-1925. |
Съдържание:
- Cover; Title Page; Copyright Page; Table of Contents; Preface; Introduction; The Early Twentieth Century Avant-Garde and the Nordic Countries
- An Introductory tour d'horizon; Nordic Icons in the European Avant-Gardes; Rebels and Renegades
- Strindberg, Artaud and the Avant-Garde; Munch's Impact on Europe; Die Asta and the Avant-Garde; "the manifold in one / and the one manifold"- Asta Nielsen as an Icon for the European Avant-Garde; Nordic Artists in the European Metropolises; Nordic Writers and Artists in Paris before, during and afterWorld War I.
- Academie Matisse and its Relevance in the Life and Work ofSigrid HjertenJean Borlin and Les Ballets Suedois; "From the North comes the light to us!"
- Scandinavian Artistsin Friedrichshagen at the Turn of the Century; Berlin and the Swedish Avant-Garde
- GAN, Nell Walden, Viking Eggeling, Axel Olson and Bengt Osterblom; Icelandic Artists in the Network of the European Avant-Garde -The Cases of Jon Stefansson and Finnur Jonsson; Locations of the Nordic Avant-Garde; The Avant-Garde and the Market; Promoting the Young
- Interactions between the Avant-Gardeand the Swedish Art Market 1910-1925.
- The Avant-Garde and the Danish Art MarketArt Metropolis for a Day
- Copenhagen during World War I; Kandinsky in Sweden
- Malmo 1914 and Stockholm 1916; The National and the International in Ultra (1922) andQuosego (1928); Avant-Garde Encounters on Karelian Bedrock (1890s-1930s); The Pavilion of De 14; flamman; Copenhagen Swordplay
- Avant-Garde Manoeuvres andthe Aesthetics of War in the Art Magazine Klingen (1917-1920); Dada Copenhagen; Transmission, Appropriations and Responses; The Reception of the Early European Avant-Gardes in Sweden; Par Lagerkvist's Literary Art and Pictorial Art.
- The Finland-Swedish Avant-Garde MomentsDanish Expressionism; Avant-Gardism Danish Style -Jais Nielsen as a Modern Genre Painter 1916-18; Johannes Kjarval's Appropriation of Progressive Attitudesin Painting between 1917 and 1920; The Modern Breakthrough in Swedish andScandinavian Art Music; Dancing across Copenhagen; Politics, Ideology, Discourse; Avant-Garde Activism
- The Case of the New StudentSociety in Copenhagen (1922-24); Finnish Nationalism and the Avant-Garde; Multilingualism and (De)territorialisation in the Worksof Elmer Diktonius; Hilma af Klint and the New Art of Seeing.
- Art as a Revolutionary Dionysian Jaguar -Otto Ville Kuusinen, Elmer Diktonius and the Emergenceof Avant-Garde Poetry in FinlandThe Early Avant-Garde in Iceland; Epilogue; Legacies of the Early Nordic Avant-Gardes; Abstracts; Index.