Корично изображение Електронен

Post-theory reconstructing film studies /

Since the 1970s, the academic study of film has been dominated by Structuralist Marxism, varieties of cultural theory, and the psychoanalytic ideas of Freud and Lacan. With Post-Theory, David Bordwell and Noel Carroll have opened the floor to other voices challenging the prevailing practices of film...

Пълно описание

Други автори: Bordwell, David., Carroll, Noel, 1947-
Формат: Електронен
Език: English
Публикувано: Madison : University of Wisconsin Press, 1996.
Серия: Wisconsin studies in film.
Предмети:
Онлайн достъп: http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=571517
Подобни документи: Print version:: Post-theory.
Съдържание:
  • Contemporary film studies and the vicissitudes of grand theory / David Bordwell
  • Prospects for film theory : a personal assessment / Noe˜l Carroll
  • Psychoanalytic film theory and the problem of the missing spectator / Stephen Prince
  • Convention, construction, and cinematic vision / David Bordwell
  • Is a cognitive approach to the avant-garde cinema perverse? / James Peterson
  • The logic and legacy of Brechtianism / Murray Smith
  • Characterization and fictional truth in the cinema / Paisley Livingston
  • Empathy and (film) fiction / Alex Neill
  • Feminist frameworks for horror films / Cynthia A. Freeland
  • Apt feeling, or why "women's films" aren't trivial / Flo Leibowitz
  • Unheard melodies? A critique of psychoanalytic theories of film music / Jeff Smith
  • Film music and narrative agency / Jerrold Levinson
  • Nonfiction film and postmodernist skepticism / Noe˜l Carroll
  • Moving pictures and the rhetoric of nonfiction film : two approaches / Carl Plantinga
  • Film, reality, and illusion / Gregory Currie
  • The case for an ecological metatheory / Joseph Anderson and Barbara Anderson
  • Movies in the mind's eye / Julian Hochberg and Virginia Brooks
  • Notes on audience response / Richard J. Gerrig and Deborah A. Prentice
  • Toward a new media economics / Douglas Gomery
  • Columbia Pictures : the making of a motion picture major, 1930-1943 / Tino Balio
  • "A brief romantic interlude" : Dick and Jane go to 3 1/2 seconds of the classical Hollywood cinema / Richard Malthy
  • The jazz singer's reception in the media and at the box office / Donald Crafton
  • Jameson and "global aesthetics" / Michael Walsh
  • Reconstructing Japanese film / Donald Kirihara
  • Danish cinema and the politics of recognition / Mette Hjort
  • Whose aparratus? Problems of film exhibitin and history / Vance Kepley, Jr.