The beribboned bomb : the image of woman in male surrealist art /
Surrealism was ostensibly directed at the emancipation of the human spirit, but it represented only male aspirations and fantasies until a number of women artists began to redefine its agenda in the later 1930s. This book addresses the former, using a "thick description" of the historicall...
| Основен автор: | Belton, Robert James, 1953- |
|---|---|
| Формат: | Книга |
| Език: | English |
| Публикувано: |
Calgary :
University of Calgary Press,
c1995.
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| Предмети: | |
| Онлайн достъп: |
Publisher description Contributor biographical information |
Съдържание:
- 1. A Synoptic History of Surrealism
- 2. Surrealism as Cultural Autoeroticism
- 3. Tropes of Autoeroticism. 3.1. Surrealism's History of the Mind. 3.2. The Psychic Grab-Bag. 3.3. Freudian Glosses. 3.4. Rereading Freud and Reading re Freud. 3.5. Meta-Collages of Some Other Mental Illnesses
- 4. Tropes of Perversion. 4.1. Literary Origins of Surrealist Misogyny. 4.2. Automatism as Secretarial Science. 4.3. Nietzsche. 4.4. Baudelaire. 4.5. From Hoffmann to Freud. 4.6. Sade and the Sadeian Personality. 4.7. Lautreamont
- 5. Tropes of Novelty. 5.1. Tradition and the Ineffable States. 5.2. Irreligion: Anti-clericalism and the Black Mass. 5.3. Sacrifice and Sade: Bataille's Contribution. 5.4. Agriculture and Earth-Mothers. 5.5. Alchemy and Androgynes
- 6. Men's Woman, Women's Woman. 6.1. "Our Polished Members" 6.2. An Hysterical Interlude. 6.3. "A Ribbon Around a Bomb"
- 7. Conclusion.