Musical meaning in Beethoven : markedness, correlation, and interpretation /
"Musical Meaning in Beethoven offers a fresh approach to the interpretation and explanation of musical expressive meaning. Beginning with a provocative analysis of the slow movement from Beethoven's Hammerklavier piano sonata, the investigation examines the role of markedness, Classical to...
| Основен автор: | Hatten, Robert S. |
|---|---|
| Формат: | Електронна книга |
| Език: | English |
| Публикувано: |
Bloomington :
Indiana University Press,
℗♭1994.
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| Серия: |
Advances in semiotics.
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| Предмети: | |
| Онлайн достъп: |
http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=23175 |
| Подобни документи: |
Print version::
Musical meaning in Beethoven. |
Съдържание:
- Foreword /
- David Lidov
- I.A Case Study for Interpretation: The Third Movement of Op. 106 (Hammerklavier)
- II. Correlation, Interpretation, and the Markedness of Oppositions
- III. From Topic to Expressive Genre
- IV. The Pastoral Expressive Genre: The Four Movements of Op. 101
- V. The Thematic Level and the Markedness of Classical Material
- VI. Thematic Markedness: The First Movements of Op. 130 and Op. 131
- VII. Beyond the Hierarchies of Correlation: Troping, Irony, Levels of Discourse, and Intertextuality
- VIII. Analysis and Synthesis: The Cavatina from Op. 130
- IX. From the Aesthetic to the Semiotic
- X. Further Perspectives on Musical Meaning and Cognition
- Appendix: Abnegation and the New Genre.