Screening modernism : European art cinema, 1950-1980 /
Casting fresh light on the renowned productions of auteurs like Antonioni, Fellini, and Bresson and drawing out from the shadows a range of important but lesser-known works, Screening Modernism is the first comprehensive study of European art cinema?s postwar heyday. Spanning from the 1950s to the 1...
| Основен автор: | Kovacs, Andras Balint. |
|---|---|
| Формат: | Електронна книга |
| Език: | English |
| Публикувано: |
Chicago :
University of Chicago Press,
℗♭2007.
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| Серия: |
Cinema and modernity.
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| Предмети: | |
| Онлайн достъп: |
http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=260184 |
| Подобни документи: |
Print version::
Screening modernism. |
Съдържание:
- Theorizing modernism
- Theories of the classical/modern distinction in the cinema
- Modern art cinema: style or movement?
- Narration in modern cinema
- Genre in modern cinema
- Patterns of modern forms
- Styles modernism
- Naturalist styles
- Ornamental styles
- Theatrical systems
- Modern cinema trends
- Critical reflexivity of the birth of the auteur
- The return of the theatrical
- The destabilization of the fabula
- An alternative to the classical form: noerealism and modernism
- The romantic period, 1959-1961
- Established modernism, 1962-1966
- The year 1966
- Political modernism, 1967-1975
- "The death of the auteur"
- Appendix: A chronology of modern cinema
- Selected bibliography
- Index of names and movie titles.