Music as thought : listening to the symphony in the age of Beethoven /
Before the nineteenth century, instrumental music was considered inferior to vocal music. Kant described wordless music as "more pleasure than culture," and Rousseau dismissed it for its inability to convey concepts. But by the early 1800s, a dramatic shift was under way. Purely instrument...
| Основен автор: | Bonds, Mark Evan. |
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| Формат: | Електронна книга |
| Език: | English |
| Публикувано: |
Princeton, N.J. :
Princeton University Press,
℗♭2006.
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| Предмети: | |
| Онлайн достъп: |
http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=273094 |
| Подобни документи: |
Print version::
Music as thought. |
| Резюме: |
Before the nineteenth century, instrumental music was considered inferior to vocal music. Kant described wordless music as "more pleasure than culture," and Rousseau dismissed it for its inability to convey concepts. But by the early 1800s, a dramatic shift was under way. Purely instrumental music was now being hailed as a means to knowledge and embraced precisely because of its independence from the limits of language. What had once been perceived as entertainment was heard increasingly as a vehicle of thought. Listening had become a way of knowing. Music as Thought traces the roots of this f. |
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| Физически характеристики: |
1 online resource (xx, 169 pages) |
| Формат: |
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Библиография: |
Includes bibliographical references (pages 153-166) and index. |
| ISBN: |
9781400827398 1400827396 |