Съдържание:
  • Overtures: Introduction ; Enlightenment as negative freedom ; Enlightened music
  • Masculine music: Music of enlightened masculinity ; Angry masculine music ; Libertinage and musical libertinage ; The Enlightenment's legitimation of feelings ; Sensitive masculine music ; Conclusions to part II : the differentiation of masculine music
  • Feminine music: Music of enlightened femininity ; Sorrowful feminine music ; Hysterical feminine music ; Music of feminine moral frailty ; The musical ridicule of feminine intentions ; Two maids' and a peasant girl's music ; Conclusions to part III : the differentiation of feminine music
  • Seductions: Simple musical seductions ; Complex musical seduction : Fiordiligi and Ferrando
  • Finales: Five finales ; Don Giovanni and the stone man ; Kant, Sade and Don Giovanni ; Cosi€ fan tutte Act II Finale ; The futures of the operas.