| Резюме: |
The research perimeter of the dissertation covers comperative literature and museology. The comperative analysis traces how women writers such as Dubravka Ugresic (Croatia), Gabriela Adamesteanu (Romania), Blaga Dimitrova (Bulgaria), Dido Sotiriou (Greece) and Elif Safak (Turkey) structure novels which could be defined as museum structured novels and what is the place of war in these books. The focus of the study is on the memory of the woman-creator from the Balkans, thought as an alternative literary memory of war, which does not ingnore the "great" modern narrative of the heroic past of the nation, but seeks to highlight many contradictory individual memories. In the literary-museum transformations of the album and the diary the main role is played by the memory as a short form, a fragment-artifact with (dis)connecting functions. We outline the characteristics of the museum structured novel, leading to a rethinking of the cultural-historical dialogue Europe – Balkans. The museum structured novel turns out to be a return to cultural memory, but not just to its preservation, but to its readjustment into a literaty myth of the Muse. Keywords: museum; war; museum structured novel; album, diary; memory (fragment); literary memory of the war; Muse; female voice.
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