Platonism, music and the listener's share /
What is a musical work? What are its identity-conditions and the standards (if any) that they set for a competent, intelligent, and musically perceptive act of performance or audition? Should the work-concept henceforth be dissolved as some New Musicologists would have it into the various, ever-chan...
| Основен автор: | Norris, Christopher, 1947- |
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| Формат: | Електронна книга |
| Език: | English |
| Публикувано: |
London :
Continuum,
2006.
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| Серия: |
Continuum studies in philosophy.
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| Предмети: | |
| Онлайн достъп: |
http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=226974 |
| Подобни документи: |
Print version::
Platonism, music and the listener's share. |
| Резюме: |
What is a musical work? What are its identity-conditions and the standards (if any) that they set for a competent, intelligent, and musically perceptive act of performance or audition? Should the work-concept henceforth be dissolved as some New Musicologists would have it into the various, ever-changing socio-cultural or ideological contexts that make up its reception-history to date? Can music be thought of as possessing certain attributes, structural features, or intrinsically valuable qualities that are response-transcendent, i.e., that might always elude or surpass the best state of (curre. |
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| Физически характеристики: |
1 online resource (202 pages). |
| Библиография: |
Includes bibliographical references and index. |
| ISBN: |
9781847144386 1847144381 |