Platonism, music and the listener's share /
What is a musical work? What are its identity-conditions and the standards (if any) that they set for a competent, intelligent, and musically perceptive act of performance or audition? Should the work-concept henceforth be dissolved as some New Musicologists would have it into the various, ever-chan...
| Основен автор: | Norris, Christopher, 1947- |
|---|---|
| Формат: | Електронна книга |
| Език: | English |
| Публикувано: |
London :
Continuum,
2006.
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| Серия: |
Continuum studies in philosophy.
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| Предмети: | |
| Онлайн достъп: |
http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=226974 |
| Подобни документи: |
Print version::
Platonism, music and the listener's share. |
Съдържание:
- Introduction and Acknowledgements; 1 Platonism, Music and the 'Listener's Share'; 2 On Knowing What We Like: 'Best Opinion' and Evaluative Warrant; 3 What's In a Work? Music, Ontology and the 'Deconstructive Turn'; 4 Between Phenomenology and Structuralism: Alternative Resources for Music Theory; 5 Music, Pleasure and the Claims of Analysis; Notes; Index of Names.